Pre-apocalyptische notas over nothing. Sciency stuff, poetry, politics, art and the music of total dissent. May the Almighty bless you and all who sail into her... Welcome to my cave
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Lauren Allawey
Rummaging through some old photographs I came across some memories of an old flame of mine, Lauren Allawey. I met Lauren at some non-d...
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These Daleks are uncharachteristically 'sappig'. Recepy to follow soon In the mean time: want one? 20 Euro, same or next day (di...
A pretty Ballardian theme for Bowie... "Artcrime" w/Bowie as Detective Natham Adler...
BeantwoordenVerwijderen1. Outside (commonly referred to as Outside) is a concept album first released 25 September 1995 by David Bowie on Virgin Records, and Bowie's nineteenth studio album. The album was Bowie's reunion with Brian Eno, whom Bowie had worked with, among the others, on his Berlin Trilogy in the 1970s. Subtitled "The Nathan Adler Diaries: A Hyper-cycle", Outside centres on the characters of a dystopian world on the eve of the 21st century. The album put Bowie back into the mainstream scene of rock music with its singles "The Hearts Filthy Lesson", "Strangers When We Meet", and "Hallo Spaceboy" (remixed by the Pet Shop Boys). The liner notes feature a short story by Bowie titled "The diary of Nathan Adler or the art-ritual murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-cycle.", which outlines a somewhat dystopian version of the year 1999 in which the government, through its arts commission, had created a new bureau to investigate the phenomenon of Art Crime. In this future, murder and mutilation of bodies had become a new underground art craze. The main character, Nathan Adler, was in the business of deciding what of this was legally acceptable as art and what was, in a word, trash. The album is filled with references to characters and their lives as he investigates the complicated events leading up to the murder of a fourteen-year-old girl. One is meant to assume that Bowie's character, Nathan Adler, works for the British government due to several references to the cities of London and Oxford, but in the liner notes these are revealed to be, at least in some cases, London, Ontario and Oxford, New Jersey, indicating that the entire story may take place in North America—or, indeed, that the distinction between the two places has become blurred and indistinguishable.